Carta e Segno
Why it’s a hidden gem
In a damp ground-floor studio that floods twice a year, two printers keep a craft most museums only display. They marble paper in a tray of size and pigment, each sheet a one-time event, then print on a cast-iron press older than the Republic of Italy.
The "seal" aesthetic of this whole project — the stamp, the carved mark — owes a debt to their work.